Friday, December 12, 2008

Me: Psych!

I find myself currently sitting in the back of a giant conference room in San Diego, listening to a therapist talking about the psychology of weight loss. I’m quietly typing away on my laptop, peripherally listening to ideas I’ve mostly heard before. This half-vacation/half-working week has been my opportunity to have “daddy-daughter time”, an annual ritual for the two of us big-footed Wilsons. We spent the first half of the week touring San Diego (Coronado, La Jolla, the Gas Light District, etc), and now he’s lecturing while I do random other work-related things. I’m staying through Sunday, when I will be a guest judge at a San Diego beauty pageant (keep your jokes to yourself...it's too easy).

While it’s nice to have some time away from LA, it’s definitely strange to be the lone “actress” among all the intellectuals. I’m the odd one out – for once! Luckily, some great news came this week, so I have an “impressive” catch phrase to throw out there at the Brief Therapy dance party (Side note: Did you know most therapists really think they can dance but can’t? It’s ridiculously entertaining). Now I get to share that catch phrase with you: The webisode that you’ve heard about, X-Treme Biography: Santa, is going to be shown on ComedyCentral.com and Atom TV this Tuesday! Grandparents beware: this is not your typical Santa – proceed at your own risk! Please watch and tell your friends to watch. If the show gets a lot of views, there’s a chance Comedy Central may pick it up for future episodes!

I also spent a few days on the set of A Single Man, starring Colin Firth and Julianne Moore, and directed by Gucci fashion designer Tom Ford. This film takes place in 1964, so everyone spent 4 hours a day in hair, make-up and wardrobe to look perfect for the designer himself. Mr. Ford, meticulously dressed in a tailored (Gucci) suit, lined us up and singularly approved or disapproved us. Usually every fifth person was sent back to hair, make-up or wardrobe for even more perfection. You gotta love that! It was a fun set, and I think I may be featured a bit, so I’ll keep you all posted.

When I return to LA on Sunday, I’ll get back full-force into the creating of another webseries with Brian and four of our good friends. We’ve had a great initial meeting and plan to shoot our first episode at the end of January. Sorry I can’t divulge more on the content, but our idea hasn’t been patented yet!

I'll leave you with an image that I can't take my eyes off -- we went to a gallery of rock and roll photographs, amazing shots of The Rolling Stones, John Lennon, Bob Dylan, Jeff Buckley and so many more "greats" in their prime. This is one of my musical love, James Taylor, in 1969. Sigh.

Tuesday, November 11, 2008

LIVEworks is a smashing success!

With a quick three-day run, the lasting effects of LIVEworks are still being felt. But whhhhhhat IS this LIVEworks, you speak of, my pet? Well, we shall start at the beginning (a very good place to start)...

Acorn Pictures is a production company formed out of the 2007 Atlantic LA program, taught by David Mamet. The company consists of 13 of my near and dear friends, most of whom I trained with at NYU/Atlantic. This blossoming company is such a delight -- hard-working, talented, professional and go-getters. And I'm not just saying that. I'm lucky to be associated with them. They have been producing projects throughout the year, and Brian and I have always been eager to help them wherever they needed. So when it came to their second annual LIVEworks show -- the only LIVE production they do each year as a fundraiser -- they generously asked us to be a part of it. Of course, we jumped at the chance!

In doing so, we each got to work on amazing short plays that became part of an eclectic evening of work. The show was such a hit, and the audiences were incredible. And we got to work with this company yet again, so it was triple-y fantastic.

Have I gushed enough?

Okay, so coming off of that weekend high (literally...we huffed hairspray in the show -- well, we TRIED not to...) I threw myself into Waiting for Lefty for two straight days. Now I'm just trying to recover and find a way to pay for the $600 fuel pump our car needs. Oy...

But all is well in La La land -- fall crispness has finally hit a North Carolina girl who was craving it, so the bliss is all mine :)

Friday, November 7, 2008

Donaura Wedding Bliss

Brian and I just flew back from good ole Westminster, MD where we watched and captured our good friends, Laura and Donald (hence Donaura), tie the knot. It was a gorgeous fall day -- Halloween, to be exact. The wedding was not at all spooky, but rather Victorian, elegant, spiritual and fun!

Laura looked amazing in her Vera Wang mermaid dress and pink pumps, hair swept to the side, carrying a bouquet of white roses, feathers and lace. Donnie was sharply dressed in a dove gray tux with matching Converse sneakers. Of course, no Halloween wedding is complete without 13 bridesmaids, 7 groomsmen, 3 flower girls and the Thriller dance. It was quite a night! We were so honored that they asked us to photograph the day and share in their love and excitement.

This week is full of rehearsals, shows and filming. Brian and I are both in Acorn Pictures' LIVEworks show this week at the Odyssey Theater. It's an evening onf 7 one-acts and Brian & I are each performing in one. Brian also wrote one of the plays called Sketch (being produced for the second time).

Next Sunday, I'm filming part of the play Waiting for Lefty (by Clifford Odets), which is one of my all-time favorite plays (I did it once in college with Brian!). So I'm stoked to delve into the role again (is that cheesy? oh well.)

I'm also been working on a web-series, both acting and producing, called X-Treme Biography: Santa. It's a mockumentary of how Santa's life goes horribly wrong - I play a bitter feminist elf in his workshop, another one of my dream roles. And I have to say, the ears are the best part. It's written and directed by my friend, commercial director Aaron Priest, so it's definitely going to be a hilarious and extremely offensive piece.

And if anyone hasn't seen our latest photo shoots, check out www.joannawilsonphoto.com and click on RECENT SHOOTS. Lots of fun new stuff!

More soon,
J+B+S

Thursday, October 23, 2008

Terrible...

Okay, so I'm terrible -- I haven't kept up with this blog. Here is my excuse:

Brian is the true writer of this blog, as we all know, and I just left all the blogging up to him! Big mistake... Of course, he went off and started his own new blog and therefore I was left to fend for myself. I've never been good at keeping a diary, much less a public blog. As the weeks and months went by, I just got so intimidated by the thought of having to catch everyone up with EVERYTHING, that I just never did it.

So...

For future reference, the new Brian Leahy blog (aka Madman) is at: www.ravingwild.blogspot.com

It's very good. You should check it out.

And if you want to know what I've been up to acting-wise, check out my website at www.joannafosterwilson.com -- I update that much more frequently. The news section has lots of good stuff with links to work I've done and such. For now, go there.

My apologies... I vow to do better in the future. That's what I always used to tell my diary anyway. Well, we'll see :)

Sunday, July 20, 2008

The Musings of a Director

Ah yes. So glad I can be the comical inspiration to Brian's creative writing. I guess "Joanna's Directorial Debut, Part Two" was too much to handle, huh Brian? I would like to say, for the record, that the previous post by Mr. Brian Patrick Leahy was entirely fabricated purely for the entertainment of our viewing/reading audience. You.

Yes, Brian can write fiction.

If there's a soul out there who hasn't yet seen the Goodbye Music Video, we would love for you to visit the YouTube link -- enjoy the music and make a comment if you feel so inclined. Best to click on "watch in high quality" under the number of views. The link is here:

http://youtube.com/watch?v=s6dYvIlYKr0

Okay, updates -- sorry this will be mostly informational -- but we've got lots of 'splaining to do!

Since our music video extravaganza, which was quite an awesome experience, Brian and I have been pouring ourselves into other works of art. Our writer/director friend Odin is making a short film in August called Mrs. Lovejoy, a horror/comedy about a mother whose teenage son is hanging with the wrong crowd, so she does away with the friends, holds the son hostage, and makes him watch old home-videos from when he was younger and still "good". Brian's growing out his hair, dying it black and playing one of the "bad kids". He'll also be doing Art Direction (creating everything you see behind the actors) and I will be taking photo stills and helping wherever needed. We've been attempting to raise money for the project (a $7,000 budget) but haven't stumbled upon the millionaire who is looking for a new short to invest in. If any of you know that person, would you have them give us a call?

We've also had quite a few visitors the past couple weeks. My brother was here for 5 days at the beginning of July, and we were up to our usual shenanigans. We attended a showing of The Room, which is by far the worst movie ever made -- so bad in fact, that it's hilarious. They have a monthly midnight screening at a theater here so young film geeks (and us) can laugh at the absurdity and throw things at the screen. It's Rocky Horror for our generation.

We also went to a Slam Poetry night that is completely sold out every week, jam-packed full of kids. Paddy, of course, was the first to volunteer and knocked everyone's socks off with his Greensboro Sit-In poem that he wrote when he was SIXTEEN. Seriously folks, if you haven't seen him perform this amazing talent, you are truly missing out. [SIDE NOTE TO PADDY: Why haven't you filmed yourself slamming and put it up on YouTube?? Um...we should totally do that at Beach Week. And I want 10% of everything you make.]

As soon as my brother left, my Mom and Ron arrived (never a dull moment out here) ! We had a grand time showing them around the city -- Ron particularly enjoyed the freaks on the Venice Beach Boardwalk and felt right at home. We all spent the 4th of July at this incredible house in Calabasas where our friends were house-sitting -- you know it's a good neighborhood when Britney bought the house next door and Eddie Murphy is down the street. The ten of us basked in the natural spring water swimming pool, complete with a waterslide and waterfalls, drank beer, and riffed on guitars around the sea-glass fire pit. It was a glorious evening.

Mom and I also had a shopping frenzy that weekend -- there's a vintage store around here that has a $1 sale on Sundays. And I know what you're thinking: when you mix a city full of costume designers, gay men, fashionistas and sale-o-holics with cheaper-than-a-cup-of-coffee vintage clothes, isn't the result TOTAL MADNESS? Yes. It is. We were lucky we made it out with our arms still attached to our bodies.

So that weekend was a blast, and now we're back to "normal" (is there such a thing?). I had a burst of fun auditions, including one for the LA Opera (Hey! Don't cover your ears so fast! It was for a non-singing part...). The role was the Virgin Mary, actually, and it involved me flying over the stage in a two-point harness. My trapeze skills would have come in handy then! Turned out I had too many conflicts since the rehearsals fell mostly during our trip back to NC in August, but they liked my look, and kept me on file for future productions when I'm not so busy. I guess they couldn't put this one on hold for my vacation. Bummer.

In the last few weeks we also:

1. Watched a screening of Dan Butler's movie Karl Rove, I Love You at West Hollywood's OutFest - a brilliant mock-umentary about an actor who falls in love with Karl Rove after portraying him in a one-man show.

2. Attended our first Dodgers game. We have 3 travel mugs to prove it.

3. Booked our third wedding for the fall. By November we will have weddings from Maryland, Colorado and Malibu under our belts.

4. Enjoyed the brilliance of The Dark Knight.

5. Drank wine in a cemetery while watching A Clockwork Orange.

Okay, okay. Is that enough? I will try my darndest to keep these posts more frequent and thus less lengthy. For now, I must hit the hay. Nighty-night...

Thursday, June 19, 2008

>the kid makes a movie< or Joanna's Directorial Debut, Part One

Today's not the day to bring Joanna the wrong flavor of cream cheese on her toasted cinnamon raisin bagel but, guess what, I'm human and it happens and - hey maybe we ran out of whipped dill, did you ever think of that? - but anyway, more importantly, she's sort of forgotten about it by now so let's all do Brian a favor and pretend this paragraph doesn't exist. Cool? Awesome.

Jo and I wake up jubilant and refreshed and get started on what I'm almost 90% sure is the right foot. Both of us. The right feet.

Nearing our rehearsal space and shooting location, Joanna spots a 7-Eleven and goes Ooo-ooo-ooo and hollers what may very well have been Stop there Jeeves and asks that I retrieve her a pot of coffee. When I approach the cash register, the clerk cries conspiracy and barks something in Farsi and insists that a coffee pot's worth of coffee is not a valid 7-Eleven menu item. As a twisted and time-sucking compromise, he demands that I pour the pot into the appropriate amount of breakfast coffee cups until it's empty, and then - 17 and 3/4 cups later - he's charging me for 17-3/4 cups plus $15 for the coffee pot itself. $30 later, passing the pot to Jo in the backseat, I pretend she doesn't ask This is decaf, right?

The space we're shooting in is an unused courtyard at the rear end of a Silverlake pre-K and elementary school. Maggie and Matthew (also recently relocated New Yorkers), who are both starring in and producing the video, beat us to the set and are found wandering idly about the rundown block of cement with LA-appropriate sunglasses and arms akimbo. This music video will promote Matthew's new single - Goodbye - on his most recent EP - The Goodbye EP - or at least that's the idea.

In minutes I find that I too am wandering about the space: the gated entrance to the north; wheelbarrows and mounds of dirt to the east; a cement wall topped with tall green pine-ish trees to the west; and at the south end, a 3' high stage, complete with an aluminum overhang, non-working electrical outlets and a bizarre assortment of Christmas decorations in dilapidated cardboard boxes, Halloween-related banners, wooden doors, glass panels, children's clothing, bike helmets, and a living room-worth of furniture that the Goodwill would downright refuse.

Joanna stands in the center of the courtyard, taps her cane three times on the ground and goes, Here, so I fetch the ventilated canopy from the trunk of the Hummer limo we've rented for the day and set it up in the designated spot. I tell her that her caprese salad will be delivered at 11:30AM on the nose and that the restaurant didn't know how to make an Arnold Palmer but I've ordered her an iced tea and I've made a batch of hand-squeezed lemonade so we'll make it in-house and she seems "o-k" with that.

The premise of the video is that Maggie - Matthew's wife in real life and his muse in the world of the film - is supplying Matthew's words/lyrics for him. He tries to introduce himself, begin a conversation, get this mysterious woman's name, but he can't seem to grab her attention. He brings on an assortment of props to assist in his efforts; when that doesn't work, he shifts gears from props to production value, bringing on various circus acts to impress her, but it's no use. Matthew's efforts backfire as the stage becomes a virtual circus and the swarm of people he hoped would assist him are now trampling him...

...and you'll have to wait for the video's premiere to find out what happens.

I scan the crap furniture hoarded beneath the ridged aluminum sheets and select the pink and cream paisley couch - without a doubt the crappiest of them all - and we lug it down the rusted steps, off the stage and into the frame, and the crew huddles around to see how it looks in the monitor and we all go Ooo. This is where Maggie and Matthew meet at the beginning - in this very artistic-looking alleyway - and the couch is sort of the centerpiece of the video, albeit dusty and potentially diseased...

...but let's just keep the whole "Maggie and Matthew" thing between you and me, cause Joanna - don't ask me why - insists on referring to them as Zucko and Sandy for the entirety of the project. It's all "Zucko does this" and "Sandy feels this way about it" and god forbid someone call them by their actual names cause she might just throw a stick at them but, seriously though, I didn't even know she liked musicals...

The rehearsal is more productive than we could have hoped and we all celebrate with warm water bottles and sweaty high-fives. Most of the crew departs at this point, but Joanna and Zucko (::cringe::) and I stick around to audition some cheerleaders, ballerinas and football players. Joanna has the talent stand on hollow blocks and recite this monologue she downloaded from moviescripts.com. You might remember it. It's the one where Lieutenant Dan pulls Forrest down onto the floor of the barracks roundabout midnight and tells him that he was supposed to die in the heat of battle.

Needless to say, the majority of the actors have trouble connecting to the piece, which Joanna blames almost 100% on saturated fats and, while I'm sure that that does play some part in the lack of connection, you kinda gotta blame it on the fact that the scene's a tiny bit intense for a music video audition, but whatever, you didn't hear it from me, but Joanna's pleased with Girls A, D and F and Guys 3 and 4 and casts them on the spot. We pack up our things and the leftover pizza and we're on our way.

I filled up the tank this morning but the Hummer's already down to a quarter so I stop at the 7-Eleven pumps to refill on gas. From the backseat I hear an Ooo-ooo-ooo and of course I know what that means - Wild Cherry Slurpee - but she wants it with crushed up oreos and a real spoon, not a plastic spoon, but like real friggin' china.

p.s. If you know anything at all about Joanna and/or her direction, you also know that I can tease her like I do because she's the most good-natured, kind, unimposing director you'll ever meet. Even with the whole scraggly beard slash Che Guevara thing she has going on these days, I still have to push her to take charge. Just FYI.

Tune in ... uh, some other time ... when we rock Part Two of the kid makes a movie. Oh, and did we mention that the whole video is shot in one take?




Okay, so listen, Joanna totally told me to write that thing about the "good-natured," "unimposing" blah blah blah. I'm kinda borderline thinking I'm not gonna make it out of this stupid video in one piece, so let's --

hold on

oh, here she comes, i gotta go crap okay bye

Friday, June 13, 2008

Altitude-inspired stream of unconsciousness

THE WEDNESDAY BEFORE THE LAST ONE
It’s like a week ago and here I am, past the frills and thrills of checkpoints and 3 oz. baggies, now onboard and safe and secured and it so happens there’s this blonde, too-muscular woman on the plane who – random coincidence – will be on the same returning flight that I’ll be on in a week; but for the time being she’s in the seat directly behind mine – 19F – stowing her purse and buckling her buckle and clearing her throat, and I can be sure that it’s her because the throat-clearing is rather muscular.

The stewardess bestows upon me a warm pizza in a vacuum-sealed plastic bag and, although I can think of no greater pleasure than pizza packaged in plastic, I do hesitate, then consider, then waver, then gesture like this (::gesture::), and then decide,

“Yes, and a pitcher of thee finest brew, wench.”

I sit there, de-packaging the pizza, savoring this dark Continental lager, thinking about my life. I have a brief conversation with myself about how I might improve said life and then move on to a game of Backgammon on my personalized TV. I’ve never played Backgammon – certainly not touch-screen backgammon, which I hear is infinitely more difficult – but the window seat brings me confidence and I’m up for the challenge. I register as ACE McGEE and battle it out with JOSE M in First Class. JOSE M has clearly played the game before and dominates for eight merciless rounds. He forfeits the ninth match, giving his full attention to his Bourbon Highball and the small, Filipino masseuse who makes the rounds through the First Class cabin, and I take this to mean that I win.

JOSE M and the Filipino and the muscular broad in 19F and the rest of the passengers and I deplane in a mad rush when we arrive at Newark. Three escalators later and we’re at baggage carousel #3, a pool of black sedan drivers in tattered suits hovering under the sign that reads Ground Transportation. I grab a bag I believe to be mine, hop on an unnamed shuttle bus with a leprechaun painted on its exterior, pay the man with the extended hand and tell the driver as we pull out of one world and into another, “Wow, kind of feels like home.”

LAST THURSDAY
Today’s Thursday and that means Moving Day. Jo and I are up and at ‘em with buttered bagels and chocolate coffee concoctions. We head to our old stomping grounds with what feels like a skip in my step but is actually just a large pebble lodged between my middle toe and the tip of my shoe.

That fresh lobby stench of rats and feces has disappeared, replaced by the welcoming odor of improvement. Joanna and our super pal Gill and I climb the stairs we’ve climbed oh like millions of times, reflecting, reminiscing – “Remember when I almost tripped here?” – ascending to the fourth floor of 128 Montague, where we are met by everything we own. Indeed, the entirety of our Brooklyn possessions are stacked yea high in the hall outside our old East Coast pad. We sigh and stomp and piss and moan – “$%&@!” – before tackling the stack as only three bright, goal-oriented individuals with Bachelors of Fine Arts could. The hallway’s like oh I-don’t-know like a thousand degrees but so be it. We tell jokes; we share stories; we fry eggs on our heads and hyperventilate and goshdarnit we make the best of it. Our subletters gave us lemons and we made lemon half-chicken in mash with mixed greens.

After donating a horrid sushi plate I once painted and $900 worth of semi-reusable items to the neighboring Housing Works storefront, I tuck our tax receipt in my jean pocket and pack the car full o’ stuff. I know I’ve done a fine job because – when I get into the driver’s seat and attempt to drive – I can’t see a damn thing.

Gill (our Moving Day motivator) takes home a like-new chalkboard and a modish DVD rack and leftover dish detergent as tokens of thanks. Jo and I pack the remaining items into 22 somewhat-manageable boxes and bags, marked with corresponding numbers and letters and the words Hollywood or Bust.

(Feeling literal and a tad superstitious, Joanna snatched the black permanent marker from my hand, scratched out the words or Bust and preceded the word Hollywood with PLEASE nobody steal this box because it’s urgently needed in…)

LAST FRIDAY
The Express Shipping dock at the Newark Amtrak station is deserted save for two truckers who bicker over the contents of the latest Martha Stewart Living magazine. Jo and I unload our goodies onto a rusted, metal pushcart and confer with the Amtrak representative, who later directs our cart of treasures to a large scale built into the ground and my first thought, obviously, is Why don’t we have one of these at home?

The load comes in at around 500 lbs, give or take a ton. Jo fills out the paperwork while I “man” the car and help resolve a Martha Stewart related bet (the original Waldorf salad was, in fact, dressed with mayonnaise), and in the end we pay a little over $275 to ship 22 mislabeled boxes of books and bed sheets across the United States.

We spend the afternoon in the company of David Beahm Design and the evening in the company of friends at our old watering hole. After three tall whiskey sours I come to the sad realization that my dinner – a roasted turkey sandwich – was not roasted to perfection and, sitting in the chic, downstairs lounge at Union Square’s Coffee Shop restaurant, paranoia sets in. An attempt to focus my attention on the TV screens across the room is a total failure. I pick at something chocolate-y and chug ice water and ask someone who’s not the waitress for our bill and try not to alarm Kelly and Howie (our gracious hosts for the week) who sit across the table and whisper, “Isn’t he Irish?”

THIS PAST SATURDAY
Blocking out the horrific events of last night doesn’t seem likely – a daredevil cab driver with a need for a speed; crouching down on the sidewalk outside Kelly & Howie’s Brooklyn apartment; and clutching the lid of a bedside trash can – so I sip a rejuvenating Vitamin Water that I can’t actually taste and swear that I’ll never eat at “Unnamed Brooklyn CafĂ© Chain” ever again.

Despite the food poisoning and a mild hangover, Jo and I snap headshots in the old Dumbo studio and then hustle to midtown to shoot two David Beahm weddings: the first at the luxurious St. Regis Hotel and the other at Ciprani 42nd Street. By the end of the night we’re downright exhausted and we collapse on the couch with a pint of mango sorbet, clicker in hand, watching everything and nothing at the same time.

SUNDAY
Joanna recovers from a severe lack of sleep before we venture to Central Park’s Great Lawn for Lauren's scorching birthday picnic. The surrounding gunshots and general hoopla are the product of the notorious Puerto Rican Day Parade, but my Hispanic heritage grants us safe passage. Seated on multi-colored bed linens on the parched grass, we munch on homemade, white bread turkey and mayo sandwiches, play card games and toss around a hot Frisbee until a third partygoer collapses from heat stroke, at which point we decide it’s best to go.

Joanna joins her former boss (photographer Kathi Littwin) for dinner while I sit in a Boerum Hill Starbucks, peeking at yesterday’s headshots and witnessing a transformer explosion that eventually leads to a five-block blackout. Jo retrieves me from the blackened coffee shop and we accompany Kelly & Howie in Union Square to watch the Celtics clobber the Lakers in the second game of the series.

MONDAY
Joanna and gal pals enjoy a midday shopping spree while I kill time on a stroll through Brooklyn Heights, stopping at my favorite deli (Lassen & Hennigs on Montague) for a Pierrepont sandwich. We meet up again for coffee with our friend Ande and then head to Hell’s Kitchen for dinner at David Beahm’s smashing new apartment.

His bachelor pad comes complete with a swarm of leather armchairs and sofas that he purchased at wholesale prices and a sprawling terrace with an Ikea canopy bed and a view that could best be described as “wow.” We sip Brooklyn-brewed beers (Brian) and lime-accented cocktails (Jo) with David and Christina, talking shop and devouring hummus, goat cheese and Triscuits. Downstairs, at the neighborhood Greek restaurant, we are treated to an enthusiastic set of swinging Greek jazz and mistake a very unattractive woman for a washed-up celebrity.

The evening ends as every evening should – stretching out on the canopy bed on the penthouse terrace, looking out over the metropolis, over the ups and downs, the flourishing towers and trembling tenement buildings of a city too good to be true, and we bid New York a premature farewell.

TUESDAY
Joanna meets up with our old pal Teresa to purchase a wonderful painting of hers that will bring some much-needed Feng Shui to our new LA apartment. Meanwhile, I prepare for this afternoon’s play reading as only I know how – by spending the morning on the vacant third tier at the Chelsea Piers driving range. Looking out over the Hudson River and the banks of New Jersey, whacking at the little white globes and sending them soaring into the surrounding nets, my first thought (obviously) is, Why don’t we have one of these at home?

We hit up separate Crunch gyms for a quick workout before meeting up at the Snapple Theatre on 50th Street and Broadway. My fellow Irish Curse readers include Roderick Hill (who, like me, originated his role in the original Fringe Festival production), Patrick Boll (who participated in last reading), New York actor John Hillner and TV/film actor Dan Butler (pictured here).


The reading goes incredibly well and, although we didn’t have the attendance we were hoping for, Marty and the producers are beyond optimistic, and the lot of us head downstairs to a token Times Square Irish pub to snack on sliders, cleanse our palettes and admire our waitress’ hard Irish brogue.

We wrap up our New York tour at Kelly & Howie’s place, picking at sushi combination plates and shuddering under the incessant howl of a Brooklyn hailstorm.

WEDNESDAY
Today is Wednesday and that means it’s time to leave, which we do. We pack our things and weigh our baggage (“45 pounds! Yes!”) and get to our respective airports on time. I sit there on the plane, my buckle buckled, laptop in lap, the too-muscular blonde clearing her throat only two rows back, and because we’ll be circling on the ground for the next hour and a half, I have plenty of time to sit here and think about my life.

Unable to come to any particularly interesting conclusions, I shut the laptop down and shut my eyes and leave one world and wake up in another.

---

We'd like to dedicate this particular blog to Kelly and Howie and their spare bedroom, and we're sorry that some guy backed into your car when I was driving it.

love,
bri (&jo)